'Wrapped in this liquid turmoil who can say / Which is the mighty echo, which the spray?' Muriel Spark's poetry inspires a musical event at the SPL based on her poetry. Composer Jessica Danz has written a new piece for string quartet. Wed 14 Nov (£8/£6) https://t.co/kiZ9RnL0G4pic.twitter.com/ZCm4aB9EGQ
Wrapped in this liquid turmoil who can say / Which is the mighty echo, which the spray? Muriel Spark’s poetry inspires a musical event at the SPL based on her poetry. Composer Jessica Danz has written a new piece for string quartet. Wed 14 Nov (£8/£6)
Your name: Emily Prince AALIA (CP) Library: Scottish Poetry Library Job Title: Librarian
How did you become a librarian/what was your career path?
After completing an undergraduate degree in creative writing in Melbourne, Australia, I was looking into opportunities for further study. I’ve always loved books, and was working casually as a shelver in the university library where I had undertaken my degree. A friend from work had enrolled in a distance learning Masters in Information Studies at Charles Sturt University (also in Australia) and convinced me to give it a try – I fell in love with it almost immediately. Since graduating in 2014, I have worked in public and academic libraries in Australia, before moving to Scotland in 2016. I worked at an academic library in Scotland before going full-time at the Scottish Poetry Library (SPL).
Did you need any specialist training for your current role?
The SPL has a very unique collection, and is not governed by any larger organisation or council, so we have an unusual amount of autonomy in how we manage our collections. This also means, however, that the collections benefit from a wealth of specialist knowledge. I was very lucky when I started to be working with staff who had spent decades developing these collections, and also got a crash course in Scottish poetry while doing so. Constantly reading poetry helps with ongoing training!
What makes your library/department unique?
The focus of our collection! Poetry libraries are not common, and we are a national authority on Scottish poetry. We also have a largely physical collection, mainly due to lack of funds to support digital resources. This means I still update and maintain collections that some people might refer to as ‘old-fashioned’, like our cuttings collection which is largely comprised of actual newspaper and magazine clippings focused on Scottish poetry that we manually locate, cut out, and catalogue.
What is your favourite aspect of the job?
Working with poetry, and cataloguing. There aren’t too many libraries these days where the cataloguing is done in-house, and it is one of my favourite activities!
What has been your most complex/funny/unusual enquiry?
Where do I start? I hold lead responsibility for the enquiry service, and my favourites are the ones where people ask you to identify a fragment of poetry that they have forgotten the origin of. It’s usually a 50/50 chance that we will actually locate an answer for some of the more unusual or rare fragments, but we do our best! Other enquiries come from students doing dissertations on Scottish poets. I did some extensive work for an academic locating mentions of grandmothers in the work of Jackie Kay. There are also ‘lost’ poems that we have been asked about several times over the years that still elude us – and one of them is about the ‘cludgie [toilet] on the stair’ in a Glasgow tenement. If anyone has heard of this one, do get in touch!
Thank you so much for that Emily! Most entertaining and informative. Please contact Emily at the SPL, dear readers, if you have any information on that mysterious cludgie poem…
And, if you’d like to submit a mini-quiz of your own, you can find the details here: mini-quiz.
During this month ELISA is privileged to present a series of three guest posts by Edinburgh’s Maker, Christine De Luca. In Part 2 Christine relates the wonderful story of the Mysterious Edinburgh Book Sculptures…
Edinburgh is a city of librariesand organisations which support literature. Libraries are particularly under threat as we become ever more digitised and funding is spread more thinly. The book sculptures were made as gifts in appreciation of libraries, books, words, ideasand placed anonymously, without anyone being aware of the donor, to be uncovered unexpectedly. Surely a perfect gift? At the Conrad Festival [in Kraków, Poland] I was able to show images of the paper sculptures and explain the references to poems hidden within a few of the loveliest.
In 2011, the first mystery paper sculpture was discovered in that home of poetry, the SPL. It was an incredibly delicate gift; a tree (PoeTREE) growing out of a book, an eggshell of poems, and a little card which read:
@ByLeavesWeLive and became a tree…We know that a library is so much more than a building full of books…a book is so much more than pages full of words…This is for you in support of libraries, books, words, ideas…
The leaves referred to the motto of SPL (by Leaves we Live) but the sculpture also referenced one of Scotland’s great 20th poets, Edwin Morgan. The broken egg is LINED with lines from a tribute poem he wrote on the death of a friend, the Modernist poet Basil BUNTING. The poem is a play on his friend’s surname:
A TRACE OF WINGS
Corn Bunting shy but perky; haunts fields; grain-scatterer
Reed Bunting sedge-scuttler; swayer; a cool perch
Cirl Bunting small whistler; shrill early; find him!
Indigo Buntingblue darter; like metal; the sheen
Ortolan Bunting haunts gardens; is caught; favours tables
Painted Bunting gaudy flasher; red, blue, green; what a whisk!
Basil Bunting! the sweetest singer; prince of finches; gone from these parts
Others were then discovered in major libraries and literary institutions. There was one, for example for each of:
the Story-telling Centre – “Dragon’s Nest”
the Edinburgh International Book Festival – a presentation teacup which says in the swirl of milk ‘Nothing beats a nice cup of tea (or coffee) and a great BOOK’. But beside the cake it says ‘except maybe a cake as well!’
Edinburgh UNESCO City of Literature – “Lost in a good book”
Edinburgh Filmhouse – “all things magic” … with the film coming alive ‘out of a book’… and with a tiny Ian Rankin, the sculptor’s favorite Edinburgh author, seated in the cinema!
The tenth and seemingly final sculpture (Gloves of bee’s fur, cap of the wren’s wings) was another for the SPL. It was a most exquisitely made sculpture, based on a line in a poem by another of Scotland’s great poets of the 20th century, Norman MacCaig. This poem, Gifts – a beautifully crafted, restrained love poem – is about impossible gifts! It’s from the collection (The Sinai Sort, The Hogarth Press, 1957). It is impeccably rhymed and the rhythm is memorable. It almost hurts to read the pain and extremity of love in it:
GIFTS Norman MacCaig
You read the old Irish poet and complain
I do not offer you impossible things –
Gloves of bees’ fur, cap of the wren’s wings,
Goblets so clear light falls on them like a stain.
I make you the harder offer of all I can,
The good and ill that make of me this man.
I need no fancy to mark you as beautiful,
If you are beautiful. All I know is what
Darkens and brightens the sad waste of my thought
Is what makes me your wild, truth-telling fool
Who will not spoil your power by adding one
Vainglorious image to all we’ve said and done.
Flowers need no fantasy, stones need no dream;
And you are flower, and stone. And I compel
Myself to be no more than possible,
Offering nothing that might one day seem
A measure of your failure to be true
To the greedy vanity that disfigures you.
A cloak of the finest silk in Scotland – what
Has that to do with troubled nights and days
Of anguished happiness? I had no praise
Even of your kindness, that was not bought
At such a price this bankrupt self is all
I have to give. And is that possible?
We thought that was it but, since then, there have been more and more; three recently with the theme ‘Free to Fly’ including one more for the SPL and one more for the UNESCO City of Literature Trust. All are exquisitely crafted and include rich references to the body receiving the anonymous gift. They have been created with care and love. They celebrate more than the tangible word: they commend our values, our hopes and dreams; our belief in the transformative power of books, of literature.
The Scottish Poetry Library needs to raise £120,000 for the building renovation which will hugely extend our reach.
Your gift helps us to give: to lend books; to send books, poetry postcards and poets around Scotland; to record and send poets’ voices around the world; to bring people and poems together in care homes, schools, hospitals…
The first set of these beautiful sculpted books were left around Edinburgh by an anonymous, library-loving artist in 2011. She later made five sculptures for the Scottish Book Trust, then another series for her own altruistic reasons
I’ve been fascinated by this story since the beginning and made several trips round Edinburgh (and elsewhere in Scotland) to see these wonderful pieces with my own eyes.